gay-bondage69:

transschmuck:

cutevictim:

Jesus was a homeless Palestinian anarchist who held protests at oppressive churches, advocated for universal health care and redistribution of wealth, before being arrested for terrorism, tortured and executed for crimes against the state, now go ahead and explain to me why he’d vote conservative. I’ll wait.

i’m sorry that’s just the best sentence i’ve ever read

Canon Jesus is so much cooler than American Jesus.

(Source: cutevictim)

187,092 notes 

synthface:

HELMHOLTZ SOUND SYNTHESIZER.
HELMHOLTZ, HERMANN VON. 1821-1894. Chemnitz: Max Kohl, c.1905.A wood and brass sound synthesizer built by Max Kohl after the design by Hemholtz. 39½ x 29 inch mahogany base with turned feet, fitted with 11 small wooden platforms, each marked with a number and the words “aus” [from] and “ein” [to], 10 of the platforms fitted with tuning forks and accompanying brass Helmholtz resonators, the tallest measuring 18½ high, each pair ranging in size according to their graduating frequencies, 11th platform fitted with 1 large horizontal master tuning fork. All 11 platforms connected together with wire filaments, which are in turn attached to a keyboard fitted with 10 African ivory keys, each numbered and marked with the tones ut [Do, or C] to 4 octaves, mi [E] to 3 octaves, and sol [G] to 3 octaves. Each key is paired with 2 brass knobs, one each on the wooden panel above the key, and one each on the panel below. Opposite end from keyboard fitted with 2 anodes and 2 cathodes, each with accompanying brass knob. The Helmholtz sound synthesizer was the first electric keyboard. Specimens of these are extremely rare, with only one similar but smaller apparatus located in a US institution that we know of. We have not seen another as large or finely made as this one. The synthesizer was used to combine timbres of 10 harmonics to form various vowel sounds. The system is driven by an intermittent current provided by a large horizontal master tuning fork on numbered wood base, and was operated by pressing on the various keys which sent the current to the corresponding electrically driven tuning forks. These forks, fitted with Helmholtz resonators tuned to the same frequency, would then reproduce the desired tone.Helmholtz invented his resonator to identify the various frequencies of the pure sine wave components of complex sounds containing multiple tones, showing that the different combinations made could reproduce vowel sounds. Max Kohl of Chemnitz is perhaps one of the most famous scientific instrument makers of the late 19th and early 20th centuries. His work was distinguished by its exacting craftsmanship, and high quality materials.
FOOTNOTES
THE EARLIEST ELECTRIC KEYBOARD

synthface:

HELMHOLTZ SOUND SYNTHESIZER.
HELMHOLTZ, HERMANN VON. 1821-1894. Chemnitz: Max Kohl, c.1905.
A wood and brass sound synthesizer built by Max Kohl after the design by Hemholtz. 39½ x 29 inch mahogany base with turned feet, fitted with 11 small wooden platforms, each marked with a number and the words “aus” [from] and “ein” [to], 10 of the platforms fitted with tuning forks and accompanying brass Helmholtz resonators, the tallest measuring 18½ high, each pair ranging in size according to their graduating frequencies, 11th platform fitted with 1 large horizontal master tuning fork. All 11 platforms connected together with wire filaments, which are in turn attached to a keyboard fitted with 10 African ivory keys, each numbered and marked with the tones ut [Do, or C] to 4 octaves, mi [E] to 3 octaves, and sol [G] to 3 octaves. Each key is paired with 2 brass knobs, one each on the wooden panel above the key, and one each on the panel below. Opposite end from keyboard fitted with 2 anodes and 2 cathodes, each with accompanying brass knob. 

The Helmholtz sound synthesizer was the first electric keyboard. Specimens of these are extremely rare, with only one similar but smaller apparatus located in a US institution that we know of. We have not seen another as large or finely made as this one. The synthesizer was used to combine timbres of 10 harmonics to form various vowel sounds. The system is driven by an intermittent current provided by a large horizontal master tuning fork on numbered wood base, and was operated by pressing on the various keys which sent the current to the corresponding electrically driven tuning forks. These forks, fitted with Helmholtz resonators tuned to the same frequency, would then reproduce the desired tone.
Helmholtz invented his resonator to identify the various frequencies of the pure sine wave components of complex sounds containing multiple tones, showing that the different combinations made could reproduce vowel sounds. Max Kohl of Chemnitz is perhaps one of the most famous scientific instrument makers of the late 19th and early 20th centuries. His work was distinguished by its exacting craftsmanship, and high quality materials.

FOOTNOTES

  • THE EARLIEST ELECTRIC KEYBOARD

60 notes 

graceandcompany:

♥LIKE :

A Tibetan musical score.These are sublime, you look at them and need know nothing about time signatures or the calligraphy of notes.

graceandcompany:

♥LIKE :

A Tibetan musical score.

These are sublime, you look at them and need know nothing about time signatures or the calligraphy of notes.

(Source: frederickwoodruff)

6,970 notes 

invisible-museum:

coldswarkids:

edwardspoonhands:

thelegendofkungjew:

doxian:

d-dinosaur:

rknjl:

newvagabond:

NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.

NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE.  LIVE.

URGGA. ROU GRAAURH. RUH.
<SMACKS HANDS ON WALL WITH PAINT.>

NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN
EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE
PRETEND YOU HAVE JUST AROSE FROM THE SEA
SURVIVE

NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA
REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT
PRETEND IT’S 2BYA
EVOLVE

NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE. 
FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT. 
PRETEND IT’S 4.5BYA.
STABILIZE INTO EQUILIBRIA

NO “MATTER”.  EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.
THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.
TIME DOES NOT EXIST.
BE.

**BANG** 

invisible-museum:

coldswarkids:

edwardspoonhands:

thelegendofkungjew:

doxian:

d-dinosaur:

rknjl:

newvagabond:

NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.

NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE.  LIVE.

URGGA. ROU GRAAURH. RUH.

<SMACKS HANDS ON WALL WITH PAINT.>

NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN

EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE

PRETEND YOU HAVE JUST AROSE FROM THE SEA

SURVIVE

NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA

REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT

PRETEND IT’S 2BYA

EVOLVE

NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE. 

FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT. 

PRETEND IT’S 4.5BYA.

STABILIZE INTO EQUILIBRIA

NO “MATTER”.  EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.

THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.

TIME DOES NOT EXIST.

BE.

**BANG** 

(Source: agirlandhisplatypus)

764,504 notes